Scioli’s Ultimate 80s Team-Up: TRANSFORMERS / G.I. JOE

by Zack Smith, Newsarama Contributor
Date: 09 January 2014 Time: 11:00 AM ET
CREDIT: IDW

We’ll be blunt: We love ‘80s cartoons. We love the insane Kirby-style riffs of writer/artist Tom Scioli (Gødland, American Barbarian). So when we found out Scioli was going to be doing a new ongoing Transformers/G.I. Joe series at IDW (co-written with John Barber) starting with a Free Comic Book Day issue that will be in stores in April, we were…enthusiastic, to say the least.

Details on the book are hush-hush and Scioli is finalizing the artwork on everything, but we got him on the line to talk about his love of these characters, from the classic toys to the classic cartoons to the classic comics.

Here now are excerpts from our long, long geek-out session with Scioli on these great characters and how they warped our childhoods, and a look at some of the behind-the-scenes drawing for the upcoming series. If anything, we did learn this: Scioli is bringing a real passion and love for the characters to this book, and you can get a glimpse of it here.

Read the full interview here!

Did a short interview with William Shatner for a local paper — you can read it here

Here’s the extended version of our talk.

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He’ll forever be known as Star Trek’s Captain Kirk, but William Shatner’s willingness to embrace his campy persona has made him more prolific than most actors a quarter of his 82 years – and he’ll explore his long, strange trip in detail in his one-man show Shatner’s World: We Just Live in It at Duke Energy Center on Jan.12, a performance Shatner says has left him “moved to tears” many times by the audience’s reaction.

Shatner began his show at the suggestion of an Australian fan, figuring “if it fails, nobody’ll know – it’s the way of the wild.”  It’s become a consistently evolving beast, touring Australia, Canada and the United States, including a sojourn on Broadway.  “The show, which had its original inspiration in Australia, has become inspirational to me as a result of doing it,” says Shatner in a phone call from Los Angeles.

Shatner had one of his most acclaimed projects with Chapel Hill’s Ben Folds on the 2004 album Has Been, which reinvigorated Shatner’s oft-derided musical career.  “I fell in love with Ben Folds and his family – we’ve remained friends over the years and I would love to perform with him again,” says Shatner, who recently released the prog-rock album Ponder the Mystery with Billy Sherwood of Yes.  “He’s a musical genius.  I like him and admire him very much.”

Captain Kirk and Star Trek typecast the stage-trained Shatner for years, something he addresses in Shatner’s World.  What does he make of the modern state of television, where shows are sometimes held up as superior to film or prose literature?  “I absolutely agree with you – television has become a great medium, and people are looking to it for works of art as well as wide entertainment or circus entertainment.  There seems to be a deepening of people’s taste, requiring artists to fulfill that yearning by coming out with things that appeal to their more fundamental tastes, rather than just on the surface.  That applies to movies, television and now things like Facebook and Twitter and all those viral networks.”

We had to ask Shatner about the recent incident in North Carolina where Indian Trail Councilman David Waddell resigned in the form of a short letter written in Klingon.  Shatner hadn’t heard of this prior to our interview and is somewhat baffled by Waddell’s choice: “I would think he lessens the impact by being superficial in referencing this language that doesn’t exist,” Shatner says. “If it’s a joke, is he making his resignation a joke? I would think that he would serve his purposes better by writing a well-reasoned, carefully-worded letter that spoke of his desire to do good, rather than make a joke of it and write it in Klingon.”  He was more intrigued to hear noted Klingon language authority Lawrence M. Schoen will be in Raleigh for illogiCon the same weekend as him: “It brings to mind what is language, and how is language devised, and can you have subtlety in a made-up language?  It’s a really interesting creative question.”  He finds similar invented languages fascinating, but wonders how wide an audience they can reach: “Getting back to the guy that resigned, if he wishes to reach a large audience to express his opinion, he’s got a very limited audience of five.”

Antony Johnston lights THE FUSE at Image Comics

by Zack Smith, Newsarama Contributor
Date: 03 January 2014 Time: 12:00 PM ET
CREDIT: Image Comics

Antony Johnston is no stranger to scifi worlds with his long-running post-apocalpytic series Wasteland at Oni. Now, the prolific creator is headed offworld with The Fuse, a new SF series from Image Comics, where he also recently launched the fantasy Umbral.

The Fuse, which launches this February, is a crime comic with a SF twist…specifically the setting, one that hasn’t really been depicted in comics before and allows for all manner of unique stories. We got the goods on The Fuse from Johnston, along with some preview art.

Michel Fiffe’s COPRA: the One-Man Written, Drawn, Self-Published Villain Epic

by Zack Smith, Newsarama Contributor
Date: 02 January 2014 Time: 03:00 PM ET
CREDIT: Michel Fiffe

He did it.

In a world where it’s still a great challenge for entire comic book creative teams to get a book out on a regular basis, Michel Fiffe produced 12 issues of his offbeat, action-packed supervillain team Copra entirely on his own…and we mean, he did everything, from story to art to self-publishing outside of the Diamond system employed by almost every comic company.

Let’s take a moment to contemplate that.

Going back to old policy of posting links to individual articles I publish this year.  Let’s see how long this lasts…

 

READING / INTERVIEWSAaron Becker takes children on an illustrated Journey

Posted by  @thezacksmith on Wed, Jan 1, 2014 at 10:36 AM

 

Journey Cover

  • Aaron Becker
  • Journey Cover

Aaron Becker has worked on such big-budget CGI-animated films asThe Polar Express and A Christmas Carol. But for his first picture book,Journey (Candlewick Press, $15.99), he turned to a simpler, old-school format. Although he uses computer models of his landscapes to help figure out the look and lighting cues for his dream-like landscapes, the final results are less digital than manual.

“The computer tends to be the beginning of the process, when I’m figuring out compositions, laying out scenes and stuff,” says Becker on the phone from a visit to his family in Chapel Hill. “It sounds a lot more complicated than it actually is.” The end result of his process are simple pen-and-ink drawings painted over in watercolor—though the world he creates is as deep and vivid as anything seen on screen.

Here are the most best things I wrote this past year.  I think this averages out to one great piece per week.  I am pleased by this.

COMIC BOOKS

The Strange History of Marvel Comics’ ULTIMATE ADVENTURES with Hawk-Owl and Woody

Peter Milligan and Brendan McCarthy, Pt.1

Milligan and McCarthy, Pt.2

Jeffrey Brown on VADER’S LITTLE PRINCESS, A MATTER OF LIFE and More

BATMAN: THE ANIMATED SERIES 21st Anniversary

Paul Pope on BATTLING BOY

GRENDEL Retrospective with Matt Wagner, 1

GRENDEL Retrospective, 2

Fantagraphics Reprints Crockett Johnson’s BARNABY

Nick Offerman of PARKS AND RECREATION talks AXE COP, Comics and More

BONE Creator Jeff Smith on Self-Publishing

NIGHT OF THE LIVING DEAD Creator George Romero on EMPIRE OF THE DEAD

Jonathan Hickman and Mike Costa on GOD IS DEAD

Priest and Bright on the Return of QUANTUM AND WOODY

TOYS!

The Many (Toy) Faces of Sylvester Stallone

How to Build Your Dragon: Putting Together Mattel’s MASTERS OF THE UNIVERSE Classics Granamyr Toy

Tracking down the ADVENTURE TIME Marshall Lee Plush Toy

Sillof and Patton Owsalt’s FASTER, EMPIRE!  STRIKE!  STRIKE!

Masterpiece Transformers Soundwave

CHILDREN’S BOOKS

Caldecott Winner David Wiesner on MR. WUFFLES

Jhn Agee (LITTLE SANTA) and Loren Long (OTIS)

A look at the musical MARY POPPINS and P.L. Travers’ original books (done in Feb., before SAVING MR. BANKS came out)

Jan Brett on CINDERS

Phyllis Rowan’s THE DAY BEFORE YESTERDAY

THE DARK IS RISING Author Susan Cooper

In Memorial: E.L. Konigsburg, Author of FROM THE MIXED-UP FILES OF MRS. BASIL E. FRANKWEILER

Zilpha Keatley Snyder on BELOW THE ROOT

Weird Picture Books That I Enjoy

More Weird Children’s Books: The Mushroom Planet, Chicken Trek, Suzuki Beane and More

LOCAL NORTH CAROLINA ARTS

Nice Price Books in Carrboro to Close

SERENA Author Ron Rash on NOTHING GOLD CAN STAY

Craig Zobel on Directing COMPLIANCE

Golden Age Bakery Puts Comics on Cookies

Elizabeth Strout on THE BURGESS BOYS

TV Production in NC with HOMELAND, BANSHEE, UNDER THE DOME and More

INSPECTOR LYNLEY Author Elizabeth George Visits

Attempting to understand CATS in a local production

Local Produce Delivery Startups

COMICS I WROTE:

Unseen REGULAR SHOW Script: “Bad Grammar”

My REGULAR SHOW story “Sombrero World”

Interview on “Sombrero World” in USA Today

Another Interview on “SomBrero World” in the News and Observer

My ADVENTURE TIME Story “Grocery Time” (Pt.1)

My ADVENTURE TIME Story “Grocery Time” (Pt.2)

FREE COMIC: “Decaffeinated” with Thomas Boatwright

MISC. TV

Shows You WON’T See This Fall

31 Loose Ends from Season 4 of ARRESTED DEVELOPMENT

Dean Norris Talks BREAKING BAD and UNDER THE DOME

Hugh Dancy on HANNIBAL: Season One

Why I Heart Megatron: A Transformers Post

400 or so SIMPSONS Quotes

More than 60 BEAVIS AND BUTT-HEAD Videos

The anniversary of the end of ST. ELSEWHERE

My Strange Obsession with LAW & ORDER: SVU

MISC. ESSAYS/ORIGINAL COMPILATION POSTS

THE HEARTBREAK KID, SAVE THE DATE and other films for singles on Valentine’s Day

Thunderbirds are Go(ne): A Tribute to Gerry Anderson

Miami Connection: All 230+ Things I Love About this Film

http://zacksmithwriter.wordpress.com/2013/05/06/400-or-so-simpsons-quotes/

A lot of what goes on in comics outside the actual books tends to go over my head.  I stay off of message boards, avoid getting into arguments, and at cons, I just seek out who I want to meet, have dinner with my friends, and go to bed early.

But lately, there are more and more things going on that I can’t ignore.  There’s a lot of issues that need to be faced – racism, ageism, censorship, a list that would take a dozen more editorials to fully cover – but one that has come to the forefront recently is the issue of harassment of women in comics.

Last month, some ugly, ugly reports came out of New York Comic-Con (NYCC).  Here’s one of the best reports on it.  There was the usual dose of pandering, scantily-clad models and advertising, but the worst was a camera crew for a  public access show that asked deeply inappropriate questions of female attendees – with incidents being reported even after complaints were made to con security.

Any hopes that this was an isolated incident were washed away in the wake of the show, as numerous female comics fans and professionals began coming forward with their own tales of harassment – not just from creeping convention attendees, but from professionals within the industry itself.

There’s this story.  And this story.  And this story. And this story.  This one just came to my attention today. And..well, probably many, many more that I’m unaware of because I’m not actually that good at using Tumblr or other social media.

Even uglier, many of these women who’ve spoken out have been lambasted for doing so, using language I’m not comfortable repeating here.

These tales of harassment are, put bluntly, unacceptable.  The reaction to them is even less acceptable.

Now, as you might have noticed from the headline, I’m a guy.  What qualifies me to talk about harassment?

Well, there’s two things.  First, when I mentioned I wanted to explore this issue on Facebook, a female friend of mine who helped out at NC Comicon (a Durham, NC show based near me that issued a strict non-harassment policy in the wake of NYCC reports) said that she wanted to see a guy talk about this issue.

“Honestly, the sad thing is that men talking about representation in media is more likely to lend it legitimacy, and make the topic a ‘real’ issue to the people otherwise most likely to write it off,” she said.

That’s depressing, though I also saw her point.  I don’t think things should be this way, but if it’s the case, I want to help the cause by acknowledging the problem, and my own culpability.

I think it’s lousy that women who speak out about harassment are often denounced and harassed all the further by coming forward, but I do think it’s important to offer support and understanding.

Secondly…I can’t say that I’ve ever groped a girl or tried to play “casting couch,” but the stories recounted here have reminded me of incidents where I’ve told an off-color joke or gotten in the face some woman I just met at a con with non-stop babbling when really, she just wanted to get away and get on with her show. I’ve only later realized or was told by a well-meaning friend how uncomfortable I was making these women.

Now, I wasn’t trying to be malicious, and I’ve tried to speak out against some of the unrealistic depictions of female sexuality in comics, but there have been times I’ve made women uncomfortable, and those incidents have made me part of the problem.

For that, I’m sorry.

I cop to these mistakes, to mistakes I didn’t realize I made in the past, and I will try to be more mindful of how I might be making other people feel in the future.  And I also want to be more alert of how people around me might be treating others, and am ready to jump in if something untoward might be going on.

That’s the best I know to offer.  It might not be enough, but I hope it’s a start.

I can also pretty much 100% guarantee that I will do or say something hugely inappropriate in the future, possibly even later today.  That’s because I’m human, and part of being human is making mistakes. But another part is taking responsibility for those mistakes, and using them as a guide to your actions in the future.

I’ve tried to imagine how awful a comic book convention would be for me if I was groped, or jeered for being overweight.  I think of all the great times I’ve had at these shows, all the friends I’ve made.  Meeting people who shared my interests, my passion for the art form, even similar career goals in the industry offered me a sense of support and camaraderie that got me through some rough times in my life.

The idea that someone could have that sense of support violated at a place that’s supposed to be about coming together and celebrating the community of comics…that’s hateful to me.  There’s no other word for it.

Forget those gawdawful stereotypes of slack-jawed geeks paralyzed by a pretty girl setting foot into a comic shop.  This is about the sense of entitlement, resentment, objectification and worse that has helped alienate women, who represent 50 PERCENT OF ALL THE HUMAN BEINGS ON EARTH, from becoming part of fandom, or staying in the industry.

How many women have shied away from fandom because of this treatment?  How many who could have contributed something great to the industry chose another path because of how they were treated?  And most importantly – how much guts has it taken for those who have stayed part of fandom and the industry to hang in there in the face of this mistreatment?

(And while it’s necessary for a piece like this, the friend I talked to for this piece also made a note that terms like “female creators” and “female fans” are often used in a way that makes it seem like they are something separate.  “A lot of problems arise from viewing women as secondary versions of what men are in the industry  – ‘female creators’ and ‘female fans’ – so there’s a mental pass to treat them differently than just ‘creators’ and ‘fans,’” she said.

(That’s a whole new series of issues, but though I’ve enjoyed many times when female creators have come together for a book or a panel discussion, it’s important that their presence be viewed as an overcoming of viewing them as “other,” not some strange and exotic novelty.  Of course, it’d be equally nice to see phrases like “black creators” or “Asian creators” just be folded into “creators” as well, but again – another editorial.  End digression.)

The bad news is, this has been going on for decades with too many people turning a blind eye.  The good news is, things can change.  They have before.  And they can again.

I’ve seen great changes in the comic book industry over the past decade.  There are more books for all ages, and better books, than I can remember at any point in my life. Kids are going to cons with their parents, and both generations are fans. I love my dad, but a begrudging, “are you ready to go home yet?” was the best I could have expected growing up (I eventually got him hooked on Concrete).

Countless great works from past decades have come back into print.  Aging creators have been given support and dignity through the likes of the Hero Initiative.  And there is a renaissance of creativity in hard-copy comics and online, along with a renewed interest in original concepts from creators and fans alike.  People are making things more than ever, and showing support for fellow fans and creators like never before.  That is astonishing.  That is the sign of a vibrant and vital community.

But there are still problems – problems that we have to face.  And as much as I wonder how much I’ve been a part of these problems, I also know that there is the power to change.

I don’t know that what I’ve said here has helped. But I do know this: Admitting there is a problem, and not just ignoring it or brushing it under the rug, is the first step toward making things better.

Guys – no matter if you’re a fan or a pro, we’re better than this.  I’m not saying treat women like delicate flowers where you agonize over everything you do or say for the sake of political correctness.  But I am saying to be mindful of their feelings, and to take responsibility for your actions.

And I encourage  readers, from all walks, to share their own stories, whether it’s in our comments or elsewhere.  People will only listen if you speak up.  I applaud the bravery of those who have already come forward, and for those who will speak up in the future.

Comics are an amazing medium, and the community of comics can truly be a great place of friendship and togetherness.

Let’s make it better.

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